For producers and directors
Previsualisation
A watchable version of your screenplay, shot before the shoot. Every angle, light, costume, prop and location decided on screen while it is still free to change.
Send your screenplay
Deliverables
What you get, before day one.
01
Shot-by-shot previz
Settles the angles and the coverage
Every setup in the sequence blocked and rendered as moving frames, cut to the script's timing with the lens choices you intend to shoot on. You see the coverage before the floor plan is drawn, so a scene that does not cut together is fixed while it is still a file.
02
Lighting and grade tests
Settles the look
The same setup lit two or three ways and graded to the look you are aiming for. Day for night, practicals against a key light, warm against cold: the argument about how the film should feel happens here, on a screen, instead of on the first morning of the schedule.
03
Costume and prop boards
Settles the wardrobe and the property list
Every character's wardrobe and every hero prop, drawn on the performer or against the set, with continuity notes. The costume department gets a brief it can build from, and the producer gets a property list with a count on it.
04
Location scout frames
Settles where it can actually be shot
Your locations, or stand-ins for them, framed at the angles the scene needs and at the right time of day. You find out that a room cannot hold the shot, or that a street faces the wrong way, before the recce becomes a contract.
05
Animatic with temp sound
Settles the rhythm and the runtime
The whole sequence cut to length with temp dialogue, music and effects, so the pacing is real rather than implied. A two-minute scene that plays long is a fact you can act on a month before the shoot.
The run
How it runs
Read
We break the screenplay down and mark the setups that carry the scene, and the ones that are expensive to get wrong.
Test
Frames, lighting, wardrobe and location options, reviewed with you in a single pass.
Build
The sequence is built and cut to the script's timing, with temp sound.
Handover
The film, the frame set, the decision list and a shot plan the floor can shoot from.
What to send
Previsualisation, or previz, sits between the screenplay and the shoot. Send the script and we return a version of it you can watch, argue with and approve, priced against the sequence you actually need to see.
- The screenplay, as a PDF or a Final Draft file
- Any references you already have: films, stills, a mood board
- The budget band and the shoot dates you are working to
- Which locations are locked, and which are still open
- Good for
- Producers and directors deciding how a screenplay should be shot, and what it costs to shoot it that way.
- Typical timeline
- Two to four weeks for a key sequence. A full feature runs alongside prep.
- Delivered as
- ProRes and H.264 film, frame sets as stills, and the decision list as a PDF.
- Studio
- Kanyakumari, Tirunelveli, Bangalore, Mumbai
You just watched the movie. We haven't shot a frame.
That is the whole offer: a producer who has already seen the film, and a director who has already shot the scene, before the schedule starts costing money.